Hull pottery is a popular collectors item, often imitated. Recognizing genuine pieces of hull pottery is as simple as knowing what marks and finish details to look for. The ability to spot a fake will save time and money and give the assurance of purchasing authentic Hull pottery. Read below for a checklist for all those considering collecting or already enjoying the vast array of Hull pottery on the market. Know that Hull pottery has two sets of markings: pre and post Post pieces are marked: “HULL” in large script or block lettering. Understand that every pattern in the Hull collection has a different item number. For example, willow pattern would be marked with a “W” and a number. If these particulars are missing from the base, the piece is a fake.
Collecting Antique Yellowware Pottery
This painted olive dish with the gold rim by W. Photo Courtesy of Brenda Yenke. It is a French word describing the classic presentation of bringing the outdoors inside! McCoy Pottery has a history worth noting, including the many pots they fired with this intention of floral display — within as well as on the receptacle. Spanning nearly a century, with several generations of McCoys, the early production started in Putnam, Ohio, under the direction of W.
Nelson McCoy in
May 8, – Explore Debbie Sauve’s board “Pottery Marks”, followed by people on Pinterest. See more A page of all the different McCoy pottery marks.
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McCoy Pottery Collectors’ Society
The book focuses on pieces of pottery not pictured in Book 1 and additional catalog pages. A section on blue-and-white pottery is also featured. Items are grouped according to type, such as jardinieres, as well as lines. Brief background information is provided; however, the authors defer to Book 1 for more in-depth text. Values are contained in a loose supplement. The price ranges are based on the high and low estimates from a panel of dealers and collectors.
Marks on new and old are virtually identical and not a reliable test of age. As most pottery collectors already know, molded details and glaze quality can vary.
In the collecting world, the Hull Pottery Company is best known for its Little Red Riding Hood dinnerware collection of the s and its high-gloss art pottery of the s. Other popular items include its toiletry jars for Old Spice, vases, and baskets for the florist industry, piggy banks, and lamps. The Hull company has an interesting history and a slew of popular product lines. Find out more about the company, its unique identifying marks, and tips for spotting reproductions.
Addis E. Hull Pottery Company. Like other early pottery companies , Hull got its start making utilitarian items such as stoneware, semi-porcelain dish sets, and decorative tiles among other useful household goods. Leading up to the s, the company branched out into art pottery using a wide selection of colors and glazes and expanded its business locations. When A. Hull died in , his son Addis E. Hull, Jr.
McCoy Pottery Sanitary Line
New cookie jars marked McCoy have been made since the mids. New vases, wall pockets and other shapes marked McCoy have been increasingly common in the secondary market. The new McCoy marks appear not only on copies of McCoy products but on copies of pieces originally made by other collectible potteries such as Shawnee and Hull. One would think using such names as McCoy, Roseville, Watt and others on new products would be illegal, but that’s not the case.
Once a company goes out of business, there is no corporate legal staff to challenge the use of registered trademarks or brand names.
A guide to dating Worcester Marks on pottery and porcelain including date codes and dates for the infamous Royal Worcester porc More. More information.
McCoy is a brand of pottery that was produced in the United States in the early 20th century. It is probably the most collected pottery in the nation. Starting in by J. They continued on almost into , but had to close down due to declining profits. The pottery produced utilitarian stoneware and operated successfully until about They also bought, sold, and mined clay. All of the member potteries produced stoneware to be marketed by the new company. The ACPC produced sales catalogs of the wares that were produced, which purposely had no trademark, and had salesmen to advertise and take orders.
The pottery orders received by the company were shared among the different potteries based on production capability, and the revenue received was proportionally distributed. The demise of the company released the former member potteries to once again become independent and they went into direct competition with one another. Also around this time, the demand for utilitarian stoneware was beginning to decrease.
In order to re-establish its own identity, and also to reflect the changing times, the Nelson McCoy Sanitary and Stoneware Co. Additionally, it was around this time that the company began the practice of marking its wares.
McCoy Pottery Mark
Vases, planters, and ashtrays were the most popular items from the era. Today, certain McCoy pieces can bring in a nice price for sellers. If you love McCoy pottery then read on to find out more about this iconic American company.
Recognizing genuine pieces of hull pottery is as simple as knowing what marks and finish details to look for. Educating yourself on authentic McCoy pottery is the best way to learn to recognize an authentic versus a fake.
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Below we have assembled a listing of the various marks used to identify McCoy Pottery through the years. It is important to note that McCoy did not mark every peice of pottery. Very common mark.
McCoy Pottery has a history worth noting, including the many pots The religious print is common, dating to the s, and worth under $
Enter your mobile number or email address below and we’ll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer – no Kindle device required. To get the free app, enter your mobile phone number. The authors of this book, Martha and Steve Sanford, have armed the collector and dealer with an encyclopedia for identifying and valuing Brush-McCoy. Sophistication is evident in the on-site research, the quality of the color photographs throughout, and in the refinement of the pricing system.
If my own experience is any example, the reader may have difficulty getting past the show- stopping objects on pages 12 and 13 in the experimental and rare categories. It is hard to believe that Mt. Pelee green dish is the work of a commercial pottery, and it is obvious that the piece has found the right home in the Zanesville Art Museum. Throughout, the book is a visual feast. There is, one might say, a nether world between commercial pottery and art pottery.
Inhabiting that world is Brush-McCoy. The authors offer examples of both extremes, plus the vast middle ground.